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Not a Hollywood blockbuster?
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Not a Hollywood blockbuster?
Annotation
PII
S032120680001167-7-1
DOI
10.31857/S032120680000427-3
Publication type
Article
Status
Published
Authors
Marina Knyazeva 
Occupation: Senior Researcher
Affiliation: Lomonosov Moscow State University
Address: Russian Federation, Moscow, 125009, Mokhovaya st., 9/1
Larisa Mikhaylova
Affiliation: Lomonosov Moscow State University
Address: Russian Federation, Moscow, 125009, Mokhovaya st., 9/1
Maria Lebedenko
Affiliation: Publishing house "JOINT Editors ‘Drug’"
Address: Russian Federation, Moscow, 129085, Zvezdny bul., 21/3
Edition
Issue 8
Pages
77-98
Abstract

The audiences’ reaction to Peter Jackson’s films in the RF and the USA are compared within the International World Hobbit Project database. Quali-quantitative analysis of the answers concerning type of the films and the role of Fantasy is supplemented by cultural scrutiny of the manner of viewers’ involvement with the book and the films, specified through the content analysis on the basis of a multifaceted codification of personal and social aspects of interaction with the movies.

Keywords
J.R.R. Tolkien, Peter Jackson, "The Hobbit", audience research, interpretative communities, American culture, culture studies, fantasy, fandom.
Received
14.06.2018
Date of publication
07.08.2018
Number of purchasers
10
Views
1415
Readers community rating
0.0 (0 votes)
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References

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2. Demina A.V. Fantazy v sovremennoi culture: filosofsky analiz. Avtoreferat diss… cand. filos. nauk [Fantasy in Contemporary Culture. Philosophical Analysis. PhD thesis abstract]. Astrakhan, 2015. 22 p.

3. Dobrusina T. Djon Ronald Ruel Tolkien na russkom yazyke [John Ronald Reuel Tol-kien in Russian] // Sverkhnovaya amerikanskaya fantastika. 1994. No.6. P.243-249.

4. Fan Culture: Theory and Practice / Eds. K. Larsen, L. Zubernis. Newcastle upon Tyne: Cambridge Scholars Publishing, 2012. VI, 252 p.

5. Hasebrink U., Paus-Hasebrink I. Linking Fantasy to Everyday Life: Patterns of orienta-tion and connections to reality in the case of The Hobbit // Participations. Journal of Audience and Reception Studies.. November 2016. (13)2 P. 223-245.

6. Hipfl B., Kulterer J. Greed, War, Hope, Love and Friendship: Contemporary structures of feeling and the audience's readings of broader themes in The Hobbit // Participations. Journal of Audience and Reception Studies. November 2016. (13)2. P. 246-262.

7. Hooker M.T. Tolkin russkimi glazami [Tolkien through Russian Eyes]. Moscow: TTT, St-Petersburg: TO, 2003. 302 p.

8. Kukhta T. Tolkin v zerkale russkoi fantasy [Tolkien Seen in the Mirror of Russian Fantasy] // Sverkhnovaya amerikanskaya fantastika. 1994. No.6. P. 236-242.

9. Michelle C., Davis C., Hardy A., Hight C. Fans, Blockbusterisation, and the Transfor-mation of Cinematic Desire. New York: Palgrave Macmillan, 2017. XVI, 344 p.

10. Mikhaylova L.G., Knyazeva M.L., Novitskaya I.Ya. Vospriyatiye fantasy rossiyskoi au-ditoriey kak proekstiya v processe massovoi kommunikatsii (v kontekste mirovogo is-sledovaniya filmov "Hobbit") [Fantasy Reception by Russian Audience as a Projection in the Process of Mass Communication (in the context of the World Hobbit Project)] // Vestnik Volzhskogo Universiteta imeni V.N. Tatishcheva. 2017. (2)3. P.258-274.

11. Mikhaylova L., Pronina E., Knyazeva M., Novitskaya I. Search for Moral Support, or Es-cape from Reality? Media psychological analysis of the Russian segment in the World Hobbit Project Database // Participations. Journal of Audience and Reception Studies. November 2016. (13)2. P. 406-429.

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