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IMPROVISATION IN U.S. MUSIC
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IMPROVISATION IN U.S. MUSIC
Annotation
PII
S268667300000616-7-1
Publication type
Article
Status
Published
Authors
Marina Pereverzeva 
ORCID: 0000-0003-4992-2738
Edition
Issue 10 (538)
Pages
91-102
Abstract
Variational and improvisational kinds of music were characteristic for both West and East cultures when composing wasn’t separated from performing. In old days inventing function belonged rather to interpreter then to composer but the importance of improvisation played a key role till the middle of the18th century. Than it gradually went down so composer’s and performer’s authorities were entirely separated to the end of the century. However it got a wide and many-sided development in the USA of the 20th century.
Keywords
music, improvisation, happening, concert, aleatory
Date of publication
11.10.2014
Number of purchasers
1
Views
989
Readers community rating
0.0 (0 votes)
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Additional sources and materials

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 2. Flynt H. Cage and Fluxus // Writings about John Cage / Ed. by R. Kostelanetz. Ann Arbor: University of Michigan Press, 1993. R. 279-282.
 3. Hills P. Modern Art in the USA. Issues and Controversies of the 20th Century. Upper Saddle River: Prentice Hall, 2001. 478 p.
 4. Ives C. E. Hallowe'en [Score]. New York: Bomart Music Publications, 1949. 14 r.
 5. Kaprow A. Happenings in the New York Scene // Art News. 1961. № 3/60 (May). P. 36-39.
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 8. Wright G. Foss Lukas // The New Grove Dictionary of Music and Musicians. 2nd ed. Vol. 9 / Ed. by Stanley Sadie. London: Macmillan Publishers Limited, 2001. P. 116-117.

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